“Lousiana Life” in FREDERICKSBURG LITERARY AND ART REVIEW

I am honored to tell you that my poem, “Louisiana Life,” is out in the current, beautiful issue of the FREDERICKSBURG LITERARY AND ART REVIEW, Pages 78-79. Click to read it.

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Louisiana Life to Appear in Fredericksburg Review

I am happy to say that my poem, “Louisiana Life,” will appear in  the Spring/Summer 2018 edition of the Fredericksburg Literary and Art Review. The poem, which tracks the history of life in Louisiana through a unique lens, is well matched in its new publication home. Fredericksburg Literary and Art Review is a beautiful, well-curated journal. Here is their link: Fredericksburg Literary and Art Review.

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Semifinalist for Francine Ringold Awards

I just got word that my short story, “The Almost Living,” was selected as a semi-finalist for the Francine Ringold Awards for New Writers by the Nimrod International Journal of Prose and Poetry.

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A Review of W.S. Merwin’s The Lice, Fiftieth Anniversary Edition for NYJB

No book has more to say about our times than W.S. Merwin’s, The Lice. I was honored to have the opportunity to review the Fiftieth Anniversary Edition, published by Copper Canyon Press, for the New York Journal of Books. Here is an excerpt of the review:

In this fiftieth anniversary edition, there exists the opportunity to access Merwin’s writings created in such tumultuous times, yet along with the reading of this volume is the eerie sense that his poems are particularly suited to the current condition of our world. So well-matched, in fact, that someone not familiar with the background of The Lice will see the poems’ statements as relevant to the unfolding of the political and socioeconomic dynamics that daily are unveiled across the media, worldwide. Look at the second stanza of Merwin’s poem, “The Last One”:

 

Well they cut everything because why not.

Everything was theirs because they thought so.

It fell into its shadows and they took both away.

Some to have some for burning.

 

Click here to read the review at NYJB.

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A Review of Time Will Clean the Carcass Bones on NYJB

“What is clear… is that the accepted, often imitated and venerated Route 66 of narrative verse need not fear finding deviation from the well-traveled path. In fact, the lyrical approach that is evident in Perillo’s poetry makes a more potent narrative because it travels so far from the route.” Read the entire review here at the New York Journal of Books site.

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A Review of Tomás Morín’s Patient Zero, at NYJB

“Tomás Morín is a writer who understands time. He parcels it, plays with it, takes it down to its microscopic focus, reassembles it and his work sings to it in a way that is distinguished, telling, unique,” writes Bruce Arlen Wasserman, poet and book critic, in his recent review of Morín’s new book published by Copper Canyon Press. Click here to read the review.

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Read Bruce’s Review of The Lyrics: 1961-2012, by Bob Dylan

I had the opportunity to review The Lyrics: 1961 – 2012, by Bob Dylan, for the New York Journal of Books. Access the review, as well as my other reviews for the NYJB, here.

 

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Pushcart Nomination

Bruce’s poem, “The Wet on Milan Street,” was nominated for a Pushcart Prize in 2016! You may find the poem in Kindred Literary Magazine’s 2016 Mason-Dixon Issue. Click to get to Anchor & Plume Press

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Bruce will have two poems in the upcoming KINDRED MAGAZINE’S Mason-Dixon issue

The upcoming Mason-Dixon Issue of Kindred Magazine (Anchor & Plume Press issue #11, 2016) will feature two of Bruce’s poems:

“The Wet on Milan Street”

“Breathing In, Breathing Out”

These poems are part of a continuum of Bruce’s poetry about New Orleans and the South.

Click here to purchase Kindred Magazine Issue #11

Kindred 11_cover

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Book Review: Head Off and Split, by Nikky Finney

Nikki is a masterful poet and Head Off and Split is like the cream that rises to the top of a glass bottle of unpasteurized milk… it’s just so darned good you want more and more. An amazing collection from a truly incredible poet, and a 2011 National Book Award winner.

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