Author Archives: Bruce Arlen Wasserman

About Bruce Arlen Wasserman

Bruce Arlen Wasserman assembled his first poetry manuscript with a typewriter on the kitchen table when he was seventeen, farmed and worked as a blacksmith, drove a tractor-trailer in college, edited professional journals, wrote as a freelance journalist and is a dentist. He has been nominated for a Pushcart Prize, was a semi-finalist for the Francine Ringold Awards for New Writers, a semi-finalist for the Proverse Prize and won the Anna Davidson Rosenberg 2019 Poetry Award. He writes poetry and fiction. His book, THE BROKEN NIGHT, was published by Finishing Line Press in July, 2022. Bruce received an MFA from Vermont College of Fine Arts and is a literary critic for the New York Journal of Books. His writing has been published in the Proverse Poetry Prize Anthology, The Fredericksburg Literary and Art Review, The River Heron Review, Kindred Literary Magazine, the Broad River Review, Cathexis Northwest Press, High Shelf Literary Magazine, Wild Roof Journal and the Washington Independent Review of Books. Beyond writing, he creates visual art as a potter at Bruce Arlen Wasserman Studio, where he draws from the reservoir of poetry and his experience in working iron and wood, correlating a continued exploration of language, function and esoteric form.

My Poem, “From Rechavia,” wins Anna Davidson Rosenberg Award for 2019, 2nd Place

I am pleased to announce that my poem, “From Rechavia,” has won 2nd place in the Anna Davidson Rosenberg Award for 2019. & here it is: From Rechavia ©bruce arlen wasserman, no publication without author permission There is a scent … Continue reading

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“What to Do While Waiting in Boston” released in the Fredericksburg Literary and Art Review

I am pleased to announce that my poem, “What to Do While Waiting in Boston,” has been published in the beautifully assembled Fredericksburg Literary and Art Review issue recently released. Click the link to read it.

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Review: When Rap Spoke Straight To God

My review of Erica Dawson’s groundbreaking long poem, When Rap Spoke Straight to God is now at New York Journal of Books. Click to read it.

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“Lousiana Life” in FREDERICKSBURG LITERARY AND ART REVIEW

I am honored to tell you that my poem, “Louisiana Life,” is out in the current, beautiful issue of the FREDERICKSBURG LITERARY AND ART REVIEW, Pages 78-79. Click to read it.

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Louisiana Life to Appear in Fredericksburg Review

I am happy to say that my poem, “Louisiana Life,” will appear in  the Spring/Summer 2018 edition of the Fredericksburg Literary and Art Review. The poem, which tracks the history of life in Louisiana through a unique lens, is well … Continue reading

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Semifinalist for Francine Ringold Awards

I just got word that my short story, “The Almost Living,” was selected as a semi-finalist for the Francine Ringold Awards for New Writers by the Nimrod International Journal of Prose and Poetry.

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A Review of W.S. Merwin’s The Lice, Fiftieth Anniversary Edition for NYJB

No book has more to say about our times than W.S. Merwin’s, The Lice. I was honored to have the opportunity to review the Fiftieth Anniversary Edition, published by Copper Canyon Press, for the New York Journal of Books. Here … Continue reading

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A Review of Time Will Clean the Carcass Bones on NYJB

“What is clear… is that the accepted, often imitated and venerated Route 66 of narrative verse need not fear finding deviation from the well-traveled path. In fact, the lyrical approach that is evident in Perillo’s poetry makes a more potent narrative … Continue reading

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A Review of Tomás Morín’s Patient Zero, at NYJB

“Tomás Morín is a writer who understands time. He parcels it, plays with it, takes it down to its microscopic focus, reassembles it and his work sings to it in a way that is distinguished, telling, unique,” writes Bruce Arlen … Continue reading

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Read Bruce’s Review of The Lyrics: 1961-2012, by Bob Dylan

I had the opportunity to review The Lyrics: 1961 – 2012, by Bob Dylan, for the New York Journal of Books. Access the review, as well as my other reviews for the NYJB, here.  

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